Tuesday, March 13, 2012

Toboggan Maple Syrup ads

Bisbee Daily Review - 1904 

Bisbee Daily Review - 1904

Bisbee Daily Review - 1904 

Bisbee Daily Review - 1904 

Bisbee Daily Review - 1904 

Bisbee Daily Review - 1904 

Bisbee Daily Review - 1904 

Bisbee Daily Review - 1908

The San Francisco Call - 1904

Wednesday, March 07, 2012

Mustering Out

My Great-Great-Grandfather's Civil War Muster Rolls.  John Wesley Nichols served first with the New York Sixteenth Volunteer Infantry Regiment, Company K.

New York State Archives, Cultural Education Center, Albany, New York; 
New York Civil War Muster Roll Abstracts, 1861-1900
;
Archive Collection #: 13775-83; Box #: 68; Roll #: 911-912.

After mustering out, he served with the New York Second Veteran Cavalry, Company H.

New York State Archives, Cultural Education Center, Albany, New York; 
New York Civil War Muster Roll Abstracts, 1861-1900
;
Archive Collection #: 13775-83; Box #: 774; Roll #: 430.

images from Ancestry.com

Wednesday, February 22, 2012

Musician Interview - Troy Martin

Time for another of drive-by interview.  These are intended to be an introduction to an artist, not their whole life story.

Today we get to talk with Troy Martin, Tucson bass player.

It took a while to coax some answers from Troy, but when his fingers hit the keyboard, they did not stop.

photo credit: Martha Retallick

Because some music fans are gearheads...
Q: What basses/instruments are you playing the most these days? Maker and model preferred.
I just decided to retire my beloved 20-year-old Rickenbacker 4001CS. It needs some TLC on the finish, because I played it several times a week for 15 years, and I'm noticing it really does need a fret job. It's just a gorgeous instrument, and currently worth more than any art object or piece of furniture in my house, so I need to baby it for a while before it's ready for prime time again. Here is a video shot during it's very last live performance last December.

My mainstay bass a second-hand SoundGear SR506 6-string bass.

A good friend of mine, Jim Waldridge, has a habit of collecting and reselling instruments from advertisers on Craigslist, and in May 2009 ran into someone selling a six-string bass for $300. Jim saw what it was and snapped it up. It had the anchor screws missing off of two of the tuning machine heads (so it was impossible to keep in tune), had the action cranked uncomfortably high, had scratchy electronics in need of cleaning, and had what seemed to be three separate brands of strings on it. I had just finished playing at an evening service at the Tucson Teen Challenge Men's Center (where Jim was serving as Director at the time) on a Sunday evening, when Jim came up to me and said, "come to my office after dinner. I have something I want to show you."

I met him at his office, where he unzipped a black gig bag and took out this SG 6-string with a dark mahogany body and a rosewood fretboard. I saw what needed to be done to this bass to bring it back to life—saw its potential. Jim said, "if you can make this bass playable, it's yours for what I paid for it." Hmmm, a thousand-dollar bass for $300? Works for me!

I took it home, blew out the electronics, changed the pre-amp battery, replaced the machine-head anchor screws, lowered the bridge, did an adequate neck adjustment, and threw a brand-new set of D'Addario XLs on it. Since June of 2009 this instrument has been the cornerstone of my sound. The low-B string could demolish residential areas, and the Bartolini pickups are so punchy and powerful. The mahogany body makes it pretty heavy, but I was already used to the wide 6-string neck. I still really need to get this instrument properly set up, but I'll get that done soon.

In 2006, when I first thought of going 6-string from my 4-string Rick, I bought a Rogue LX406 Pro from Musician's Friend for $250 to see if I liked it. I did, and played that until I got the SoundGear from Jim Waldridge. The neck is a little wonky, but it's more than playable, and the dual Jazz pickups are so powerful. I keep the Rogue as a backup bass, just in case.

I play all of my basses through a 20-year-old KMD 200-watt combo amp. I only use a bit of sound shaping EQ and a touch of compression, both built into the amp. I use no pedalboards or any other effects.


Because inquiring minds want to know...
Q: What are you actively listening to? What music is inspiring you? Yes, this is your typical, what's in the CD player, ipod, etc question. But, it isn't a "If you could be a tree, what tree would you be?" question.
I've always been a prog-rock guy, so I periodically come back to my familiars, like Yes' "Relayer," "Tales From Topographic Oceans" and "Going For The One" albums, as well as favorite listens like ELP's "Brain Salad Surgery," Genesis' "The Lamb Lies Down On Broadway," and Jethro Tull's "Thick As A Brick" albums.

For the last four years my favorite band has been Porcupine Tree, especially their period from "In Absentia" to the present, where they successfully and chillingly blend their Floydian tendencies with melancholy English folk and dark, down-tuned metal. Plus, they have the single best drummer on the planet: Gavin Harrison.

My love for the Swedish symphonic prog band The Flower Kings has recently led me to a new find: Agents of Mercy, containing two of The Flower Kings' members, guitarist and founder Roine Stolt and bassist Jonas Reingold (currently my favorite bassist). Agents of Mercy sound like a modern version of the Peter Gabriel-era Genesis, with just as much, if not more, of an edge.

I recently discovered an instrumental technical metal trio called Animals As Leaders, fronted by 8-string guitar virtuoso Tosin Abasi. There are few words to describe how good these guys are. They just released their second album "Weightless."

I also love Dream Theater, Spock's Beard, Transatlantic, Karmakanic, Neal Morse, Frost* (yes, the asterisk is part of the name), and Florida-based death-metal band Cynic.

My taste may seem kind of funny in light of the fact that I play in folk-rock and country-rock bands, but what we play publicly is very rarely what we listen to privately.
photo credit: Amy  Dowe


Future Plans...
Q: What are you currently working on? Recording/shows/tour/writing/etc.
I just left Smallvox, my main band of the last 18 months, to concentrate on some developing projects.

The most exciting thing right now is my current position as bassist/vocalist supporting Tucson legend LeeAnne Savage (Arizona's Sassiest Songstress), playing her original alt-country-pop-rock in a band of musicians who are the best I have ever played with, bar none. We just had our first public appearance last Saturday at Tucson's Whiskey Tango nightclub, which was an astounding success. It is her intention that we play exclusively high-profile gigs opening for touring national artists who come through town, and also similar appearances in the Phoenix area. We'll see where it goes from there.

I also have the privilege of playing with The Tangelos, all-original soulful folk-rock featuring the voice and songwriting of Joshua Butcher. I just joined them in January. We have a two-set appearance at Tucson's PLUSH nightclub next week (Tuesday, Feb. 28), as well as a two-night appearance in April at the famous Bisbee, AZ, dive, St. Elmo's. There is a possibility that The Tangelos will record their second album this year.

I have had occasional gigs as substitute bassist/vocalist in the long-time Tucson country-metal act Gila Bend. Those have been a blast, and working with frontman Loren Dircks has been in many ways the highlight of my musical career. Those will probably continue, as well as constructing a brand-new act with Loren that he is calling "Van Waylon."

I'm hoping that as my musical credentials grow, I can begin to make more of my income from playing, and basically generate a new economy where I can begin to write and record my own songs, and hone that craft. That is the ultimate goal.

What's my connection to Troy Martin? Back in 1978 my folks moved to Sierra Vista, Arizona.  I figured that I should tag along.  Buena High School didn't have an orchestra, so I joined the experimental jazz band, overseen by 'Coach' Rick Klein.  That led to my involvement with the Buena Show Band, also overseen by 'Coach' Klein.  I played cello on the LP that we cut and the next year, my senior year, I played bass.  Two years before, Troy was playing bass with the BSB.  We've never met.  In 2011 a BSB reunion was held.  I wasn't able to make it, but Troy held down the bottom end for the 1970 alumni.  Troy and I have become friends on facebook. We share several 'real' friends and I'm sure that we could spend a few hours listening to music, telling stories, discussing any subject we'd wanted to.  Someday I'd like to try that.

Want to know more about Troy or the bands he plays with?  Click with abandon.


Wednesday, January 11, 2012

Central Street Books

About a year ago Central Street Books was birthed. It used to be The Book Eddy, located on Chapman Highway in south Knoxville. The Henley Street Bridge reconstruction project limited accessibility to that area of town, if you were coming from the north. The owners of The Book Eddy decided to go in a slightly different direction.  They thinned out their stock, refocused, and moved just north of town.  They settled at Central and Fulton with a new name, Central Street Books.

I visited them in December and they let me take some photos.













I miss The Book Eddy. But I like Central Street Books. Here's a blogpost that I did on somethings purchased at CSB.

Tuesday, January 03, 2012

Diavolo

While doing some baseball research I came across this ad for Diavolo as part of a larger ad for the Seventh Annual Spring Festival in Chattanooga, Tennessee.

The Chattanooga News - May 14, 1904

Doing some more research on Diavolo I found this article from the same year, 1904.

The Watertown Herald - August 13, 1904


Sideshow World has a nice page on him.  And Science Blogs has a detailed physics page on his act.

Diavolo might have been good, but he certainly wasn't The Flying Zacchinis.

Friday, December 23, 2011

Thursday, December 22, 2011

Three Thrilling Days

Woman's Home Companion - December, 1913

Wednesday, December 21, 2011

Ads from December 1913

Woman's Home Companion - December, 1913

Tuesday, December 20, 2011

Santa

Woman's Home Companion - December, 1913

Monday, December 19, 2011

The Fashion Department

Woman's Home Companion - December, 1913

Sunday, December 18, 2011

Friday, December 02, 2011

Mini Interview With Author Jonathan Allen


I first came to know Jonathan Allen about two years ago.  I sent him some Montreal Expos baseball cards. We became casual acquaintances.  Facebook friends.  Tossing witticisms and encouragement at each other.  Well, now he's a published author.  Several weeks ago I read his novella / short story / I don't know what to call it.  Well, the title is The Kayson Cycle.  A very good read.  You can pick it up at amazon.com or at Barnes & Noble.

His latest work is The Corridors of the Dead.  I haven't actually started to read it, but I look forward to cracking it open on my Kindle.

I was able to pry a few minutes of Jonathan's time from a very busy and hectic publishing day to coerce him into a mini interview.  The parameters were I could only ask three questions and his answers could be no longer than 10 words long.  I was trying to be sensitive to his time.  So, here we go.

Q: What inspires your writing?
A: Displays of raw creativity in all forms of media.

Q: Do you set aside time each day to write or have a routine?
A: Yes, I have a daily goal of 2,000 words.

Q: What is your favorite childhood book memory? Either from your childhood or an actual book for children.
A: The Talisman by Peter Straub and Stephen King. It changed my life.

If you're good with math you'll notice that he used 12 words in that last answer.  His reasoning? "it's tough when you have two authors for a book."

I think that Jonathan has a future as a writer.  A writer needs to deal with editors, so I'll step in and help him with his answer to the third question.

A: The Talisman by Peter Straub and Stephen King. It changed my life.

We're down to 10 words.  See, it wasn't that hard.

Jonathan and I have set up a real interview in the coming weeks.  Until then you can learn more about him at his website, JonathanDAllen.com.  Or just go out and buy the The Corridors of the Dead at amazon.com or Barnes & Noble.

Thursday, November 24, 2011

Five Times the Thanksgiving Fun

Let's turn the calendar back to 1935...

Plattsburgh Daily Press - November 26, 1935


And then ahead to 1936...

Plattsburgh Daily Press - November 25, 1936

Let's see what area restaurants and merchants were offering up for Thanksgiving in 1935.





Plattsburgh Daily Press - November 27, 1935
Happy Thanksgiving.

Monday, November 07, 2011

Things I Miss - Peru football


My first high school beat my first school.  Photo from and story at the PressRepublican.com.

Tuesday, October 11, 2011

Things I Miss

San Francisco Peaks with snow
San Francisco Peaks, Arizona

Monday, October 03, 2011

Another grand idea - Sand Skiing


From the March, 1932 edition of Popular Science Monthly.

image from Google Books

Monday, September 19, 2011

Author Interview - Joseph Wallace

Ruby Thomas had never seen anything as beautiful as Ebbets Field, with its brick exterior and half-moon windows that reminded her of slices of jelly candy.
This is the first line of Joesph Wallace's Diamond Ruby.


Earlier this year I was introduced to this book by way of Ron Kaplan's Baseball Bookshelf.  I picked up the sample chapters for my Kindle, devoured them quickly and then ordered a copy of the book from amazon.  I contacted the author, Joseph Wallace, and he gladly sent a Diamond Ruby baseball card my way.  I read the book, had more interaction with Joe (he lets me call him Joe).  I asked for an interview, which he agreed to.

First, my review.

Prohibition is enforced.  The Spanish Influenza epidemic is rampant.  Babe Ruth is king.  Ruby Thomas can throw a baseball.  In the pages of Diamond Ruby Joseph Wallace transported me to Brooklyn in the late 1910s and early 1920s.  His writing style is engaging and colorful.  I got sucked in early and didn't know how the title character would overcome the hardships that were placed before her.  If you're looking for a book about sugar and spice and everything nice, this isn't for you.  If you want a book that can speak to you on several levels, let me suggest this one.

I have seen reviews that say that Diamond Ruby is an essential take-to-the-beach-on-summer-vacation book.  One to laze around with.  I'm going to one up that.  Diamond Ruby is an essential book for fans of baseball, period pieces, good literature, and books in general.  Read it.  Buy a copy.  Give it to your friends.  Then buy another copy for yourself.

Joseph Wallace

Q: Diamond Ruby is set in Brooklyn. You obviously did a lot of research to be able to paint such wonderful word pictures. What sources did you use? How long did your research take before writing? Did you start writing the story line and then flesh out the details?

A: I couldn't write Diamond Ruby until I felt like I was living inside the 1920s Brooklyn world where it was set. To do this, I haunted the New York Public Library's Microfilm Room and read through at least half a dozen newspapers, day by day, one after another. By the time I was done, I'd learned so much about how people lived, what they worried about, what they did for fun. Their world did feel real to me, sometimes even more vivid than the one I was actually living in.


Q: Is your writing style more like "lock myself in a room every morning until I produce 1,000 words" or "writing at the dining room table with kids and pets running amok"? Maybe somewhere in the middle?

A: I need quiet to be able to write well. When I was writing Ruby, I'd go away for three days at a time every few weeks and stay in a motel. It was a kind of sensory deprivation, just me in that room with no distractions, and the words would come pouring out. Sometimes I'd write for fourteen hours a day. My reward would be one good meal in a local hotel.


Q: One of the characters, Helen, is blind. Were you consciously more descriptive in your writing because of that?

A: Helen, like Ruby, was modeled on a real person: a stunt diver who went blind after a tragic accident. I thought of my Helen as the kind of person--strong-willed, brave, plain-spoken--who could get past Ruby's reserve, her solitary nature. She was the kind of friend Ruby would need, so it was easy to write vividly, visually, around her.


Q: Since you weave real people (Babe Ruth, Jack Dempsey, Judge Landis) into the book, did you have to overcome any fears of putting the right words into their mouths?

A: I was definitely nervous about making Babe Ruth and Jack Dempsey into important characters! I'm usually suspicious of writers who put words into the mouths of real historical figures. My solution was to have readers see them only through Ruby's eyes. You're never inside their heads, listening to their thoughts. You see them as Ruby does, smart and funny, but never being too wild in front of this tough young girl.


Q: As a writer, does it bring you pain or grief when one of the characters you create dies?

A: Yes, sometimes it's difficult to kill off a character, especially ones who don't deserve it. In Diamond Ruby, Ruby faces some significant tragedies; those were very hard to write because they hurt Ruby (a character I was very fond of).


Q: You've mentioned that you are working on a follow-up book with Diamond Ruby. How's that going? Do you have a publication date?

A: I hope to be done with my sequel to Diamond Ruby, to be set in Hollywood in 1927, sometime next year. Before I get back to it, though, I'm finishing a big thriller, featuring dozens of characters and locations as far-flung as Australia, Panama, Senegal...and Brooklyn!


Q: What's your favorite flavor of frozen custard?

A: I love vanilla frozen custard, but I definitely won't say no to other flavors.


I'd like to thank the author for his time and permission to use his photograph.  Yes, I asked.  For more information about Joseph Wallace, visit his official website.  To purchase a copy of Diamond Ruby go here.

Thursday, September 08, 2011

Musician Interview - The Yellow Kites

Time for another of drive-by interview.  These are intended to be an introduction to an artist, not their whole life story.

Today we get to talk with The Yellow Kites, a husband and wife team composed of Kendall and Erina Ludwig.

Erina was gracious enough to answer my questions for the both of them.



Because some music fans are gearheads...
Q: What guitar/dulcimer/harmonium/harmonica/instruments are you playing the most these days? Maker and model preferred.

Our instruments are:
We play a Larrivee L03R. Good ol' Canadian piece that didn't like the heat down in Florida. Seriously so.

We play a traditional hour glass mountain dulcimer with maple top mahogany sides. It's handmade so there aren't any model numbers. It's made by Bill Berg with Mountain Made Music in Nashville, IN.

I play Hohner harmonicas. My G key is the Silver Star (I'm still at the beginning side of things) model no: M50403. My C key is the Golden Melody one (ditto) model no. has faded but I think it's M542016.

The harmonium I play is from Calcutta, India (much more affordable to order it and have it shipped to the States) made by a company called Pakrashi. The model I have is: Pakrashi 3.5 octave portable harmonium and it stunk horribly when we first got it. And it still does sometimes. Something about the wood.


Because inquiring minds want to know...
Q: What are you actively listening to? What music is inspiring you? Yes, this is your typical, what's in the CD player, ipod, etc question. But, it isn't a "If you could be a tree, what tree would you be?" question.

Hard one this as we're on the road so are literally making our way through everything on our iPods. Let's start with Kendall:

Bon Iver, Jonsi (from Sigur Ros- Iceland's major music exporter)- who he's currently listening to.

Jakob Dylan, Shawn Mullins, David Gray, Dispatch, The Swell Season, The Decembrists and Damien Rice give inspiration.

As for me:

Brooke Fraser, Lisa Hannigan, Marketa Irglova, The Frames, Damien Rice, Cat Power, The Swell Season, Jakob Dylan are some of whom I'm listening to.

Sarah Vaughn, Ella Fitzgerald, Billie Holiday, Fleet Foxes, The Swell Season, Lisa Hannigan and Brooke Fraser inspire me.

Trust me there are tons more but we'll never stop otherwise.


Future Plans...
Q: What are you currently working on? Recording/shows/tour/writing/etc.

Ahhh future plans. We're on tour until near the end of Sept when we'll be back in Indianapolis. Got a huge gig in Indy on the 10th Sept at the Irving Theater so getting ready for that :) feel free to invite everyone you know.

We just finished recording what I'm calling a mini- EP (title to be decided) of a few tunes of sacred music. Being on tour and playing in churches has been such a privilege and we tried to capture some of it in Jamestown, NY just this Labor Day. It's like a taster of more things to come so keep a keen ear out!

We're also crafting some new songs with quite a different feel to our debut album. Some more jazzy, others more bluesy. Very electric and exciting. Early days yet so can't report much about it.

What's my connection to The Yellow Kites?  A few weeks ago they did a small show at our church.  It was Saturday night, a back to school kick off event for our youth group.  Kendall and Nick, our youth pastor, are very good friends.  Nick had invited them for the concert and to be part of our worship services the next morning.  They had a gig at the Preservation Pub in Knoxville on Monday.

I took Angie and Caroline to the Saturday night show.  Edison was already there.  It was a casual setting and for an hour and a half they played, sang, talked, and shared themselves with the small audience.  I was taken by their joy.  Their music is simple on the surface, but has a depth to it.  On Saturday I purchased their self titled album.  I was going to say "CD", but it is a "high-quality, wild-flower embedded download card".  Sunday morning I purchased Erina's book, Unnoticed Neighbors: A Pilgrimage into the Social Justice Story.  Musicians, author, beautiful people.

Want to know more about The Yellow Kites?  You can find them on Facebook, MySpace, their official site, and Twitter.

Want to know more about Erina's book?  You can view the Unnoticed Neighbors' video trailer, read a sample chapter, or purchase it.

I suggest you do all of them.